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Together, Deborah Schamoni and O-Town House are pleased to present The exhibition formerly known as “trace image”. The show was initially conceived as an exploration of artistic practices located between presence and absence via works that probe strategies of art-making which exploit or obscure the notion of the body (or: figure) through various devices of abstraction. However, as the conversations with the artists of The exhibition formerly known as “trace image” developed, the exhibition began to tell its own story. Both Deborah Schamoni and Scott Cameron Weaver operate their exhibition spaces from their homes. These very particular and intimate settings facilitate yet- undiscovered conversations and expose a new language for time-honored binaries with a unique kind of storytelling.
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Deborah Schamoni und O-Town House freuen sich, gemeinsam die Ausstellung The exhibition formerly known as “trace image” zu präsentieren. Ursprünglich war die Ausstellung als Erkundung künstlerischer Praktiken zwischen An- und Abwesenheit konzipiert, mit Werken, die Strategien der Kunstproduktion untersuchen, die den Begriff des Körpers (oder: der Figur) durch verschiedene Abstraktionsmittel erforschen oder verschleiern können. Im Gespräch mit den Künstler*innen von The exhibition formerly known as “trace image” begann die Ausstellung dann ihre eigene Geschichte zu erzählen. Sowohl Deborah Schamoni als auch Scott Cameron Weaver betreiben ihre Ausstellungsräume von ihren Wohnorten aus. Diese sehr speziellen und intimen Umgebungen können noch unentdeckte Gespräche ermöglichen, und mit einer besonderen Art des Geschichtenerzählens neue Sprachen für altbewährte Binaritäten entdecken.
Wednesday – Friday 12 – 6 pm
Saturday 12 – 4 pm and by appointment
The exhibition formerly known as “trace image”
Juliette Blightman
Owen Fu
João Gabriel
R.I.P. Germain
Constantin Nitsche
Elizabeth Ravn
Adam Stamp
Sarah Szczesny
Deborah Schamoni hosting O-Town House, Various Others 2022
09.09. – 29.10.2022
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Installation view, The exhibition formerly known as “trace image”, Deborah Schamoni, 2022 -
Installation view, The exhibition formerly known as “trace image”, Deborah Schamoni, 2022 -
Installation view, The exhibition formerly known as “trace image”, Deborah Schamoni, 2022 -
Juliette Blightman, The Changing Light at O-Town House (27th April 2018, 16:59), 2020
Gouache and pencil on paper, 42 × 59.4 cm -
Installation view, The exhibition formerly known as “trace image”, Deborah Schamoni, 2022 -
Juliette Blightman, The Changing Light at O-Town House (27th April 2018, 16:59), 2020
Gouache and pencil on paper, 42 × 59.4 cm -
Installation view, The exhibition formerly known as “trace image”, Deborah Schamoni, 2022 -
Installation view, The exhibition formerly known as “trace image”, Deborah Schamoni, 2022 -
Installation view, The exhibition formerly known as “trace image”, Deborah Schamoni, 2022 -
Elizabeth Ravn, Patent Office Eingang, 2021
Oil on canvas, 90 × 70 cm -
Elizabeth Ravn, Sunday Poses, 2021
Oil on canvas, 80 × 100 cm -
Elizabeth Ravn, Self Portrait, 2022
Oil on canvas, 40 × 40 cm -
Elizabeth Ravn, She thinks it’s a treat, 2021
Oil on canvas, 70 × 60 cm -
Installation view, The exhibition formerly known as “trace image”, Deborah Schamoni, 2022 -
Adam Stamp, Jeder für sich und Gott gegen alle (voll), 2022
Glass, wood, plant, 254 × 114 × 55 cm -
Adam Stamp, Jeder für sich und Gott gegen alle (voll) (detail), 2022
Glass, wood, plant, 254 × 114 × 55 cm -
Adam Stamp, Jeder für sich und Gott gegen alle (voll) (detail), 2022
Glass, wood, plant, 254 × 114 × 55 cm -
Installation view, The exhibition formerly known as “trace image”, Deborah Schamoni, 2022 -
João Gabriel, Untitled, 2022
Oil on canvas, 157.5 × 164 cm -
Installation view, The exhibition formerly known as “trace image”, Deborah Schamoni, 2022 -
Owen Fu, Smile!, 2020
Oil on cardboard and glass, 119.4 × 86.4 cm -
Owen Fu, Untitled (turn off), 2022
Oil on canvas, 101.6 × 76.2 cm -
Installation view, The exhibition formerly known as “trace image”, Deborah Schamoni, 2022 -
Sarah Szczesny, In protocols;, 2021
Gouache, vinyl paint, and ink on canvas, 54 × 43.5 cm -
Sarah Szczesny, Dopey Drive, 2021
Gouache, vinyl paint, and ink on canvas, 54 × 43.5 cm -
Installation view, The exhibition formerly known as “trace image”, Deborah Schamoni, 2022 -
R.I.P. Germain, Delroy (2C), 2018
C-type print, 76.2 × 76.2 cm -
R.I.P. Germain, Delroy (A), 2018
C-type print, 76.2 × 76.2 cm -
R.I.P. Germain, Delroy (A2) II, 2018
C-type print, 101.6 × 76.2 cm -
R.I.P. Germain, Delroy C2, 2018
C-type print, 76.2 × 76.2 cm -
Installation view, The exhibition formerly known as “trace image”, Deborah Schamoni, 2022 -
Constantin Nitsche, The Red Room/La Chambre Rouge/Der rote Raum, Oil on canvas, 49 × 40 cm -
Constantin Nitsche, The Pink Panther/La Panthère Rose/Der rosarote Panter, Oil on canvas, 49 × 40 cm -
Adam Stamp, Jeder für sich und Gott gegen alle (flach), 2022
Acrylic and colored pencil on Marseillaise fabric, 215 × 75 cm -
Installation view, The exhibition formerly known as “trace image”, Deborah Schamoni, 2022 -
Installation view, The exhibition formerly known as “trace image”, Deborah Schamoni, 2022 -
Sarah Szczesny, Taler Dip Painting (Selling Cells), 2022
Gouache, vinyl paint, epoxy resin, and ink on canvas, 101.5 × 71 cm