Deborah Schamoni

The exhibition showcases the transformative power of art and the profound impact of community collaboration. At the heart of this exhibition lies the ethos of hospitality fostered by Silvia Fiorucci and La Società delle Api, creating a space where artists can commune, share ideas, and create collectively. Artist Francis Offman’s site-specific exhibition at the gallery embodies this spirit, drawing inspiration from his experiences and interactions within this nurturing environment.

Monaco, often associated with exclusivity, finds a refreshing counterpoint in La Società delle Api, where inclusivity and camaraderie reign. Offman extends this invitation to viewers of his work by igniting curiosity and contemplation as well as encouraging conversation. His approach to communication mirrors his artistic process — subtle yet profound. Like layers of meaning, his paintings unfold gradually over time, challenging viewers to look beyond surface judgments.

Through his work, Offman confronts stereotypes and preconceptions, inviting viewers to question their own biases. He avoids direct interrogation stating, “There are many ways of saying things, you can shout without raising your voice.” Instead, the artist encourages introspection through personal materials and symbolism. Coffee grounds, a recurring motif in his work, evoke reflection on waste and excess, prompting viewers to consider the origins and impact of everyday consumption.

Offman’s use of coffee grounds serves as a reminder of the interconnectedness of global communities. By highlighting the disparity between the everyday item and the lives of those who produce it, he urges us to re-evaluate our relationship with consumption and conservation. His art transcends mere preservation; it evolves, reflecting the dynamic interplay between artist, material, and environment.

Offman’s reverence for history and tradition informs his artistic practice. Drawing inspiration from Rwanda’s innovative recycling initiatives, he honours the cyclical nature of creation and preservation. He works in harmony with the seasons, attuned to the rhythms of nature and the materials he employs preferring to use the elements to aid the creation of his works.

The exhibition engages all the senses, incorporating scent as a narrative element. Coffee and lavender, sourced from La Società delle Api in Grasse, infuse the space with evocative aromas. The title, Notes from the Heart is inspired by the terminology used in perfume creation famous to the region but also a reference to the messages of tenderness Offman wishes to share with visitors and the generosity felt at La Società delle Api. The artist’s artworks are often created using materials gifted to him, each canvas bears the imprint of its origin, preserving its unique history and essence.

With his new studio and expanded artistic horizons, Offman continues to push boundaries and challenge conventions. He remains committed to his local community, sourcing materials and inspiration from his surroundings. His hands-on approach underscores his dedication to storytelling and authenticity, ensuring that each piece retains its narrative integrity.

Notes From the Heart is more than an exhibition; it’s a testament to the transformative power of art and the enduring bonds of community. Through his work, Offman invites us to engage with our surroundings, question our assumptions, and embrace the rich tapestry of human experience. In doing so, he ignites a spark of curiosity and wonder that lingers long after the exhibition’s end.

Curated by Lewis Dalton Gilbert
Text: Società delle Api
Photos: Pierre Morel
Courtesy of the artist, Herald St, London; P420, Bologna, and Società delle Api, Monaco.